Shyamvar Pinturam Rai and Pradeep Waghmare. Both erstwhile employees of Peter and Indrani Mukerjea. In the witness stand on Monday, Waghmare came across as a cheerful, straightforward man who is attempting to clamber his way towards prosperity. In the witness stand on Friday, Rai shed his customary jauntiness and broke down weeping, begging forgiveness from CBI Special Judge Jayendra Chandrasen Jagdale.
Her elfin face could be seen and once more after many days the victim of this murder had a face and a presence.
If an FIR had been registered by the Pen police -- instead of a mere entry in the station diary -- an investigation could have taken place and the body might have been identified as Sheena's, leading to the case being cracked much earlier.
'He had a carry bag made of plastic. One pistol came out of it. There was also a magazine which had three rounds. And a mobile and a Rs 100 currency note.' No prizes for guessing who that was...
'Dalvi, you are saying you asked a question, but don't remember the answer?' asks Pasbola incredulously. 'Yes.' 'You are lying.'
Noise levels began to climb and everyone else in the room stared agape as the fracas escalated, including the trio of accused at the back. Peter, Sanjeev and Indrani stood at the edge of their enclosure craning to see the spectacle.
Tuesday was the last that Courtroom 51 saw of Shyamvar Rai, accused No 3 and approver in the Sheena Bora murder trial. True to form, Rai's final hours in the witness box were rather acrimonious. His cross-examination at several points turned downright ugly.
Shivade then asked if the skeleton finally came out of the ground in many parts. It was difficult not to gasp aloud at that revelation. Bhagat said that was true.
Many pictures showed The Skeleton Named Sheena. For the purpose of the photographs, the skeleton had been re-assembled and looked straight at the camera.
It is becoming more and more apparent that Shyamvar Rai is like an onion. And a pretty pungent one at that. As layer after layer of his life gets peeled off, in full view of the court, new layers of his character are exposed.
'Could the Khar police and the CBI have tinkered with the driver's call data records?' 'And did their fiddling with the information not make it that they were tampering with the lives of people that were in the balance as a result of this case?'
The decision was announced at a press meet by Additional Chief Secretary (Home) K P Bakshi.
Judge Jagdale, with a severe expression shadowing his face, looked sharply at Manoj Patil, Airtel's nodal officer, and told him plainly: "It is difficult to digest what you are saying (about) giving call data, but not giving call timings and durations."
The software had, perhaps unknown to Dr Tripathi, tracked the changes he had made. The 'morph track' feature of the software provided a trail of what had been done and also indicated that the doctor had, it seemed, opted to morph Sheena's face with the provided skull, much in the same manner that Fantamorph can turn a woman into a cheetah.
After ten minutes no one could keep track of the legal team's questions on the geography of the route Sandeep Patil took on his Pulsar Bajaj motorcycle, on the morning of April 25, 2012. Not the judge. Or the onlookers. Least of all Patil.
Shatranj Ke Khilari was Satyajit Ray's first Hindi film. The Master set the Premchand story against the backdrop of the First War of Independence in 1857. Bijoya Ray, his wife, reveals fascinating glimpses behind the making of the epic in this exclusive excerpt from her memoir.
Shatranj Ke Khilari was Satyajit Ray's first Hindi film. The Master set the Premchand story against the backdrop of the First War of Independence in 1857. Bijoya Ray, his wife, reveals fascinating glimpses behind the making of the epic in this exclusive excerpt from her memoir.
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